The exhibition Retrospectives: Selections from the Vorres Museum Collection proposes a contemporary reading of the collection through thematic sections that highlight its relevance today, moving beyond a conventional chronological display. Bringing together works from the postwar period to the late 20th century, it sheds light on lesser-known or underrepresented aspects of the collection – featuring works by Lili Arlioti, Giorgos Ioannou, Valerios Kaloutsis, and Dimitris Dokatzis – while simultaneously reframing works by artists such as Alexis Akrithakis, Panos Valsamakis, Niki
Athens Music Week (AMW) returns for its eighth edition, from May 6 to 9, once again transforming Athens into a vibrant meeting point for the international music industry, creators, and the city’s audiences. Over the course of four days, AMW hosts presentations, panel discussions, networking events, and showcase concerts, bringing together artists, professionals, and organizations from across the music ecosystem. With more than 180 invited industry guests and dozens of acts from Greece and abroad, the festival continues to operate
Archipelago Network announces its new project “Digital Cyclades,” which documents and highlights the voices of local communities with the aim of creating
The Juilliard String Quartet, one of the most distinguished chamber ensembles in the world, will appear at the Athens Concert Hall (Megaron Mousikis) on Thursday, April 23, 2026, at 20:30, in the Dimitris Mitropoulos Hall, in a concert that highlights the evolution and enduring power of the string quartet. Founded in 1946 and continuously present on the international stage, the Juilliard String Quartet has become synonymous with interpretive excellence, profound knowledge of the repertoire, and a constant renewal of the
The choreographic work BONES, presented at PLYFA from May 2 to May 10, explores the relationship between structure, support, and fracture through the human body. The body appears as a living system, constantly adapting to pressure, reshaping itself in order to endure. The creative process began with observing the body as a dynamic anatomical structure. Throughout this exploration, trauma emerged as a material for creation, with memory approached not as something to be overcome, but as something that returns and